Monday, September 10, 2012
Monday, September 3, 2012
lubbock in the rearview mirror
I think it was shortly after I mentioned Lubbock to somebody, back in Illinois, that I first heard the expression "Lubbock in the rearview mirror" and, at that time, I was also aware that it was a line in a song. My wife relates a story that at one point she was driving and that line came up on the radio, just as she turned it on, also at a crucial point in my life.
It was soon after I got here that it was pointed out to me that Mac Davis actually liked Lubbock, and that if you listen to the entire song, he ends up coming back and being grateful to be here. Now this is another level of awareness entirely; I think that not everyone knows this, and I for one never listened to any song all that carefully, so I would have never known it had it not been pointed out to me. But at the moment that it was pointed out to me, I surmised that people here might be a little defensive about that song, and the concept in general, so they might be a little more likely to know that than most people.
So I was at a party the other night here in Lubbock, and we were discussing the benefits of the place, versus for example picking up and moving to another locale. The expression "Lubbock in the rearview mirror" came up and one guy then pointed out what I did above: that in fact Mac Davis liked the place, and the song makes it clear he was glad to come back. At this party I was one of few who knew that; it turns out that not everyone, even in Lubbock, is fully aware of the different meanings that song carries.
All this brings up the question: how uncool would it be if I were to just lift the lyrics, and put them here in this blog? He still owns them, after all, and although people do that, and put lyrics all over the internet....oh bother, I guess I won't. But here's another question: How cool or uncool would it have been, if I had just said, at the moment we were discussing it, hey, I've been obsessed with that idea ever since I got here, which was about a month ago, and as a result, every time I go out, I take my camera and take pictures of whatever I see in my rearview mirrors, and as a result I have a whole set of pictures which are all essentially Lubbock in the rearview mirror. Now, at the time, I bit my tongue, I didn't say it. It's partly because, I'm new here, I'd rather just let these conversations go their course, and see if something else comes up (which invariably happens)...let's just say I'll let the pictures speak for themselves and, for the moment at least, keep cranking them out. I can say this much: the inclusion of a rearview mirror in a cell-phone/instagram pop art photo gives you instant contrast: where you are with where you've been, the van you're in vs. its environment; the rounded-angular shape of (2006 Kia Van) rearview mirrors vs. the desolate straight lines of telephone poles, etc....
Let's just say I've gotten into the composition side of the equation, and have lost sight a little of what Mac Davis was driving at. So I guess I'll just link to the lyrics and let it go at that.
It was soon after I got here that it was pointed out to me that Mac Davis actually liked Lubbock, and that if you listen to the entire song, he ends up coming back and being grateful to be here. Now this is another level of awareness entirely; I think that not everyone knows this, and I for one never listened to any song all that carefully, so I would have never known it had it not been pointed out to me. But at the moment that it was pointed out to me, I surmised that people here might be a little defensive about that song, and the concept in general, so they might be a little more likely to know that than most people.
So I was at a party the other night here in Lubbock, and we were discussing the benefits of the place, versus for example picking up and moving to another locale. The expression "Lubbock in the rearview mirror" came up and one guy then pointed out what I did above: that in fact Mac Davis liked the place, and the song makes it clear he was glad to come back. At this party I was one of few who knew that; it turns out that not everyone, even in Lubbock, is fully aware of the different meanings that song carries.
All this brings up the question: how uncool would it be if I were to just lift the lyrics, and put them here in this blog? He still owns them, after all, and although people do that, and put lyrics all over the internet....oh bother, I guess I won't. But here's another question: How cool or uncool would it have been, if I had just said, at the moment we were discussing it, hey, I've been obsessed with that idea ever since I got here, which was about a month ago, and as a result, every time I go out, I take my camera and take pictures of whatever I see in my rearview mirrors, and as a result I have a whole set of pictures which are all essentially Lubbock in the rearview mirror. Now, at the time, I bit my tongue, I didn't say it. It's partly because, I'm new here, I'd rather just let these conversations go their course, and see if something else comes up (which invariably happens)...let's just say I'll let the pictures speak for themselves and, for the moment at least, keep cranking them out. I can say this much: the inclusion of a rearview mirror in a cell-phone/instagram pop art photo gives you instant contrast: where you are with where you've been, the van you're in vs. its environment; the rounded-angular shape of (2006 Kia Van) rearview mirrors vs. the desolate straight lines of telephone poles, etc....
Let's just say I've gotten into the composition side of the equation, and have lost sight a little of what Mac Davis was driving at. So I guess I'll just link to the lyrics and let it go at that.
Saturday, September 1, 2012
football culture
Today is "game day" in Lubbock, and I'm aware that a large amount of cultural energy is wrapped up in the football industry. The Will Rogers statue is red; there is a "Raider Walk," some people will be doing serious tailgating all day, etc.
At the same time a body of research is showing how bad football really is. To put it bluntly, rattling your brain repeatedly tends to wreck it. I used to think that the main thing wrong with football was that you can only run in one direction, and your knees can only bend in one direction, but they come at you from all directions. No, the worst part of it is that your brain turns to mush after a while. In short, football is killing people. This article is a gateway to lots of the recent information about it.
So at this point you might be furious at me for bringing it up, or overjoyed that somebody is saying it bluntly. Either way, we live in a polarized world, and this issue may polarize us more. But actually, I'd like to be objective about it. Is there a way to save football? Or, will it be like smoking: We find out it's deadly; some of us reject it outright and teach our kids to do so; eventually most people reject it, because the culture gets smarter.
Football (American football) grew up with television; its primary advantage is that it's fun to watch, especially from above where you can see the whole pattern. But to the people down in the thick of it, its most notable characteristics include how easily it rattles your whole body, and how easily you can break knees, elbows, etc. I played it a little when I was growing up and had fun, especially when we played it on mud. There was a touch version that was especially fun to play though I can see how people prefer the hard version. The tricky part, for those of us who love the game itself, is going to be how to save it. Can we make helmets better without sacrificing movement, or vision? Can we make it so parents don't have to feel like they're sacrificing their boys to the great god of American entertainment? I'm not sure.
At the same time a body of research is showing how bad football really is. To put it bluntly, rattling your brain repeatedly tends to wreck it. I used to think that the main thing wrong with football was that you can only run in one direction, and your knees can only bend in one direction, but they come at you from all directions. No, the worst part of it is that your brain turns to mush after a while. In short, football is killing people. This article is a gateway to lots of the recent information about it.
So at this point you might be furious at me for bringing it up, or overjoyed that somebody is saying it bluntly. Either way, we live in a polarized world, and this issue may polarize us more. But actually, I'd like to be objective about it. Is there a way to save football? Or, will it be like smoking: We find out it's deadly; some of us reject it outright and teach our kids to do so; eventually most people reject it, because the culture gets smarter.
Football (American football) grew up with television; its primary advantage is that it's fun to watch, especially from above where you can see the whole pattern. But to the people down in the thick of it, its most notable characteristics include how easily it rattles your whole body, and how easily you can break knees, elbows, etc. I played it a little when I was growing up and had fun, especially when we played it on mud. There was a touch version that was especially fun to play though I can see how people prefer the hard version. The tricky part, for those of us who love the game itself, is going to be how to save it. Can we make helmets better without sacrificing movement, or vision? Can we make it so parents don't have to feel like they're sacrificing their boys to the great god of American entertainment? I'm not sure.
Friday, August 31, 2012
one month on
OK OK a report is due. What is this blog about? I'm serious, I just arrived in Lubbock (one month ago, more or less). Yes I'd heard a few things about it before I arrived, but, I try to have an open mind and a ready cell-phone, because a lot of what I see strikes me as very interesting or at least different, and I want to document it. That's part of what this blog is all about.
The mirror aspect of it gives me some composition opportunities; I'll admit I've been playing with that. There are many interesting photo opportunities in town and on campus; I'll admit that if you'd been here your first twenty years or so, they might not look like much, but if you arrive from a tiny town with much less, and none of this West Texas stuff, it's very photogenic. One problem is that for me to whip out my camera while I'm driving, in traffic, is really quite dangerous, and I might have to make sure I'm a passenger more often, or, learn how to pull over and park more safely. For example, the other day I was trying to find the driver's license bureau, which is downtown on Mac Davis Street. Somewhere downtown I admitted to ourselves (my young son was with me) that I was totally lost and I found a picturesque downtown block and pulled over to park and ask someone for directions. Unfortunately every single building was uninhabited, as far as I could tell. It was a beautiful block, but entirely devoid of people. I looked quickly at my mirrors to see if I could take a picture, but, unfortunately, no. And I couldn't simultaneously 1) drive, 2) figure out where I was, and 3) check my mirrors.
I'm carrying around a few questions that I intend to use this blog to answer, though sometimes I may answer it photographically, other times by blabbing away. First, it's our first football game-day weekend, and I intend to watch the show; I realize I'm in the heart of football country and it's obviously a cultural spectacle. Parking spaces have game-day status which is different from weekday or weekend. I'm kind of interested by a football culture that is in full swing, as opposed to where I was before, where it had almost died out altogether. Second, I read the other day about the original settlers of Lubbock County, in Estacado; I wanted to investigate that, maybe go there if I get a chance (this may have to wait)...what was that all about? Third, what are people saying and feeling about certain local folks who made it big, like Natalie Maines, Buddy Holly, Shelby Marx, Mac Davis, the Flatlanders? I understand that some of these people have had mixed feelings about being from here, and have left behind some mixed emotions among the local folks who of course are left living in a town that others may have rejected for whatever reason.
It reminds me of a time I was young and hitchhiking around the country, and came through Beaumont Texas only to be picked up by a guy in an old plumber's van driving west and saying he was going to Austin. Now this guy is probably still out there, may even remember me (though probably not), and may even find this and respond. But in any case, his story was this: he was good friends with Janis Joplin. When she went to San Francisco, she spoke to a crowd once and disparaged her old friends back in Port Arther who were "being plumbers and that kind of thing"...this, he said, stuck him in the heart. He was, after all, a plumber who had had musical dreams but had nevertheless stuck with a steady living. Back to Janis, she said she was stuck in that horrible place (Port Arthur) and couldn't imagine living out a life that way. Now keep in mind that Janis was a bright candle, but she had only a few more years if any to live in this world. Actually I'm not sure if she was alive at the time this guy and I met, though I suppose I could find out. In any case, he had thrown his guitar in his plumbing van, and set out west across Texas for Austin (only to break down in a place called Sealy).
My theme here is that we look at what we've got sometimes, and it isn't enough, it's lacking, it's confining. Believe me I've been there and I couldn't be surprised if any of my kids said that about any of the places I've lived. But here's another idea: you take a camera out there, you look at stuff, and you work on always having a fresh perspective. You work with rearview mirrors until you have a set of compositions that reflect some of these feelings: wide open spaces, endless roads, precious shade, old Texas countryside, the contrast between the inside of one's van, and the image in the mirror, or, the image in the mirror and the view out the main window. There are lots of possibilities here; you can see that I've barely begun, below. And I mean no disrespect to the people, the area, the sights themselves. You may read into them derision, bleakness, or confinement. You can read into them what you want; I don't necessarily feel that way, yet. Or rather, let's put it this way: I'm as aware as anyone, it's all what you make it. I'm one of these people who can look out over a flat, dusty, endless plain, which might scare or intimidate others, and say, it's just me and God out here, the big windy plain, the huge sun, the endless earth, and I'm ok with that. I'm a newcomer to Texas; I'm still finding my way around. But if you're going to quote me, take that last part. Hope you enjoy what you see...
The mirror aspect of it gives me some composition opportunities; I'll admit I've been playing with that. There are many interesting photo opportunities in town and on campus; I'll admit that if you'd been here your first twenty years or so, they might not look like much, but if you arrive from a tiny town with much less, and none of this West Texas stuff, it's very photogenic. One problem is that for me to whip out my camera while I'm driving, in traffic, is really quite dangerous, and I might have to make sure I'm a passenger more often, or, learn how to pull over and park more safely. For example, the other day I was trying to find the driver's license bureau, which is downtown on Mac Davis Street. Somewhere downtown I admitted to ourselves (my young son was with me) that I was totally lost and I found a picturesque downtown block and pulled over to park and ask someone for directions. Unfortunately every single building was uninhabited, as far as I could tell. It was a beautiful block, but entirely devoid of people. I looked quickly at my mirrors to see if I could take a picture, but, unfortunately, no. And I couldn't simultaneously 1) drive, 2) figure out where I was, and 3) check my mirrors.
I'm carrying around a few questions that I intend to use this blog to answer, though sometimes I may answer it photographically, other times by blabbing away. First, it's our first football game-day weekend, and I intend to watch the show; I realize I'm in the heart of football country and it's obviously a cultural spectacle. Parking spaces have game-day status which is different from weekday or weekend. I'm kind of interested by a football culture that is in full swing, as opposed to where I was before, where it had almost died out altogether. Second, I read the other day about the original settlers of Lubbock County, in Estacado; I wanted to investigate that, maybe go there if I get a chance (this may have to wait)...what was that all about? Third, what are people saying and feeling about certain local folks who made it big, like Natalie Maines, Buddy Holly, Shelby Marx, Mac Davis, the Flatlanders? I understand that some of these people have had mixed feelings about being from here, and have left behind some mixed emotions among the local folks who of course are left living in a town that others may have rejected for whatever reason.
It reminds me of a time I was young and hitchhiking around the country, and came through Beaumont Texas only to be picked up by a guy in an old plumber's van driving west and saying he was going to Austin. Now this guy is probably still out there, may even remember me (though probably not), and may even find this and respond. But in any case, his story was this: he was good friends with Janis Joplin. When she went to San Francisco, she spoke to a crowd once and disparaged her old friends back in Port Arther who were "being plumbers and that kind of thing"...this, he said, stuck him in the heart. He was, after all, a plumber who had had musical dreams but had nevertheless stuck with a steady living. Back to Janis, she said she was stuck in that horrible place (Port Arthur) and couldn't imagine living out a life that way. Now keep in mind that Janis was a bright candle, but she had only a few more years if any to live in this world. Actually I'm not sure if she was alive at the time this guy and I met, though I suppose I could find out. In any case, he had thrown his guitar in his plumbing van, and set out west across Texas for Austin (only to break down in a place called Sealy).
My theme here is that we look at what we've got sometimes, and it isn't enough, it's lacking, it's confining. Believe me I've been there and I couldn't be surprised if any of my kids said that about any of the places I've lived. But here's another idea: you take a camera out there, you look at stuff, and you work on always having a fresh perspective. You work with rearview mirrors until you have a set of compositions that reflect some of these feelings: wide open spaces, endless roads, precious shade, old Texas countryside, the contrast between the inside of one's van, and the image in the mirror, or, the image in the mirror and the view out the main window. There are lots of possibilities here; you can see that I've barely begun, below. And I mean no disrespect to the people, the area, the sights themselves. You may read into them derision, bleakness, or confinement. You can read into them what you want; I don't necessarily feel that way, yet. Or rather, let's put it this way: I'm as aware as anyone, it's all what you make it. I'm one of these people who can look out over a flat, dusty, endless plain, which might scare or intimidate others, and say, it's just me and God out here, the big windy plain, the huge sun, the endless earth, and I'm ok with that. I'm a newcomer to Texas; I'm still finding my way around. But if you're going to quote me, take that last part. Hope you enjoy what you see...
Subscribe to:
Posts (Atom)










